Failure

Back in April, I was wondering, if I should do a Stashbusting year or not...

I pretty quickly realized, that I cannot do that for fabric, but then, how about for yarn? 

I failed that one too. 

I was pretty good until about a month ago, I only bought two 50 gramms ball of sockyarn, which I immediately cast on, and though it took me a fairly long time, I finished. Then admittedly, I've knitted fairly little, as I turned to other crafts, embroidering, lacemaking, etc, and then there was the summer form hell, when I could only concentrate on surviving. 

Still, I have not bought yarn, while I finished the new year's sweater, cast on for a sweater from DROPS's Soft Tweed, that, by now, only missing the bottom half of its body, knitted a few historical knee high stocking, planned out sweaters with stripes and stranded patterns to use up more of that gigantic sock yarn stash.

And then I had to go to a store literally next door where my favorite second hand yarn store is. Up until that day, I managed to avoid even the area, but I had no choice. You guessed it right. I went in and failed my reserve miserably. Found some yarns, that were screaming to come home with me. 

One skein is missing from the picture, because I immediately cast on a cardigan, I planned for years, and I am using that as a contrast/pattern color. 

And then I had to go to that part of the city again... Oops. 

Looking at the yarns I bought lately (meaning as a souvenir yarn from the Netherlands last fall) I am kind of into the green/blue thing.

Though, that green would go well to another ball: 

The lighter purple would be a cool contrast/pattern color for something stranded...

Or that purple would be good as a toe/heel/cuff color for this other skein:

The three skein of brown will be a knee high stocking the gray is always a good base, and then, here is this one. 

Look closer. Yes, it IS a sock yarn, but it is shiny. There is one strand of shiny purplish color in it.

I would not use it for socks, obviously, but then, what for? 

A striped shawl comes to mind, or a cardigan, with a striped yoke/raglan shoulder, in both case I would probably use a pearly gray sock yarn...or a kidsilk type of yarn as a base.

What do you think? Any ideas? Suggestions? Not just for the shiny sock-íarn, but for the others?

And still more leftovers - stripy mittens

 As I said in my last post, I still had some leftover from the yarn, and one could have never enough mittens. 

I am especially fond of those "fingerless" mittens that are actually half-fingered ones. I've knitted a bunch of them in the last two decade. I still have most of them... They are great up until about -3-5 C°ging about the city, you don't have to constantly take them off, when you need to take out your keys/change/passes/ID etc.

But there is one I've knitted more than a dozen years ago, then about 8 years ago I lost them. I loved them dearly, don't ask me why it was different than any other one I have, they were knitted in the orange and brown colors I preferred whan I had red hair, both colors were leftover sock-yarns I picked up in second hand stores. Their dissapearance is still a mistery, as there is so little time and space between my last memory of them, and the point where I noticed them missing, I could never really figure out what could have happened. 

That was one of the first time I've used a self-striping yarn as contrast color, and the narrower stripes only on the ring fingers along with a long, ribbed cuff made them special for me. Anybody who saw them loved them, and everybody said, they are so ME. And who knows why, I never knitted mittens that were so "me" ever since. 

Until I had those leftover leftover bits of yarns.

Since I've knitted those brown and orange mittens, my coloring, and the colors I wear changed.

Back then I had flaming orange hair, and I were a lot of rusty orange. Ten years ago, I grew out my silver hair, and, now I kind of look like a three day old corpse in oranges, so  I wear cooler colors, like blues, turqoises combined with gray instead of browns. 

For knitting, they are top down mittens, meaning I've knitted the fingers first, and then as they were put together, I added the thumb, and then could go as long with the cuffs as my yarn would let me, so there would be as little leftover as possible. Here is a gif from the process. back then, when the Barka yarnstore was still a thing, there was a tutorial and pattern on their site on how to make these, but that site is down for a long time now. Maybe I will make another one in the future for this blog. Would you like that? 

I think I love these almost as much as those orange striped ones.

Do you have pieces of clothings you loved so much that you have them for many years even decades?

Do you have pieces you loved so much you've tried to recreate? If yes, do you love the new ones as much as you did the old one? 

(Yarn Drops Flora and handdyed sock yarn, 

Photos: Norbert Varga @Bodeszphoto )

...and the leftovers - Love in a Mist hat and mittens

 Let's play catch up, shall we? 

While I still held myself to my self imposed no-yarnbuying and stashbusting idea, there is nothing against using leftovers, is there? 

Remember the Love-in-a-mist sweater I knitted at the end of last year and posted about this February? 

In that post I showed the base yarn I overdyed to have more interesting colorvariations, and I might even mentioned that there vere plenty of letovers...

I loved the sweater (and the yarn/color-combo) that I wanted to use up all the leftovers... I have made a small wrap cardigan, we still have not managed to photo, and there were still more leftovers, so I decided to make a hat, and since this seemed to be a yarn forever giving even a pair of fingerless mittens. 

For the hat, I used my basic beret formula, starting with a 120 stitch and K1/P2 ribbing and then Increase the stitches to 144 stitches, and knitting six repeats of the pattern horizontally, and -depending how I count it- 2 or three repeat vertically.

Meaning that the first and the last repeat is not the full repeat, but a simpler, smaller version of the motif, and the two repeats of the full pattern means actually three motifs above each fiagonally. After the last one I inprovised a starry middle section. 

Blocked it over a plate, but looking at the pictures I might have to reblock it on something bigger to have it a bit slouchier.

Yarn is the same DROPS Flora I used for the sweater and the leftovers from the handdyed sock yarn.

I will come with the details of the mittens in a couple of days. Stay tuned. 

Photoes: Norbert Varga @Bodeszphoto

And there goes August too

 Along with September. I have been pondering a blogpost for days now, if for nothing else, just to "pick up the thread" as we say in Hungarian. However, if you have been around, you know by now, that my blog is erratic at best. Just as in real life, I am absolutely incapable of keeping any kind of regularity in my life. There were times when I struggled trying to do so, mainly because PJ kept chaistising me for it, also, because outside things (like a job, or Chris's shcools) required it. 

By now, I kind of given up on that, I will not have lunch at the tale at noon every day, nor will I get up (or get into bed) at a certain time each day (of course as we say, there is always the amount of money, for which I would force myself, but I am not sure if anybody would be willing to pay me that). 

Anyhow, weather-wise August wasn't much better than July was, nor was my productivity. However, I have a couple of things from spring I still have not shown to you, and I am also working on a few stuff, so there just might be enough "content" to go around for a few more post this year. 

But then I keep thinking of ways to liven up this space a but, but wonder what you all would like to see? 

As there is only one of me, and I can do (umm craft- knit, sew, etc) so much, there is a limit to posts about what I made. 

Would you like more posts (pictures) of reenactment events? While we are at reenactment, would you like to read about that more? why I (or why some of my friends) do it? What types of it there are, how I approach it, and things like that? 

Would you like to see outfit of the day type of posts? Back, like a 15-20 years ago I had a HUGE wardrobe. I was a second hand shop addict, and back those times that meant that I had am amazing amount of clothes, for less than an average woman spends on her wardrobe.  By now I have a lot less clothes (though still quite a lot), and don't even dress up "properly" that much, but once in a while I manage to put something together, that I would like to show. 

And then, would you like to see travel pictures? At the moment we travel less than we used to, but still do it, and there are places I would love to show. 

July

 What july? 

Ohh, that one, with the intensive heatweave, when my highest goal was surviving? 

Yeah, That one is absolutley garbage-positive, as far as work, sewing, and other handwork goes. 

We did had a couple of events, though.  

Like in the gorgeous castle, where we did some turn of the century reenactment 

Me wearing my late victorian/edwardian bycicle set and talking about late victorian and edwardian sports (and of course some sporing facts leading up to that era, all the while thinking that as much odds as I was with this era's dressing  this set is not bad at all. It is so different and fun. And of course I adore that waistcoat with those little blue flowers. 

And then, we have been in Visegrád palace, all in renaissance finery, summoning the ladies in waiting of queen Beatrix.

I wore my new, green renaissance dress, to which I added a blue giornea. I started it back in the spring, but did not get around finishing, so it only needed to figure out the closure and add the decoration. 

I have been up, twice in the 18th century DelaMotte palace, where I was talking with summer camping children about 18th century.

In between we had a couple of concerts and festivals...

But in between, I was just trying to survive the heat... Work just as much as needed for survival. 

There were days, when we woke up to 34°C in the bedroom, and since we live in a tenth/top floor flat, with no aircondition, but east and west windows, you can imagine. Sometimes I felt my brain would melt, I could not even function enough to do the most basic translations...

I even wished I worked in a place where you go into an office every day. Into an airconditioned office, that is. 

Its over now, and hopefully things will get better... On the posting side too. 

Split Skirt and Reconstructing History patterns (RH1024)

 In other words, the last round of sporting clothes... At least for now. (and of course, we should never say never, or never again). 

I could never really decide that for those sporting/biking clothes which one I like better, the one with bloomers or the one with split skirts. I have sewn both for the fall/winter season, from the dark gray wool, and yes, I have sewn both for the summer, from white linen. You've seen the bloomers in the last post, and here is the split skirt.

I made the previous one (which I planned as a useable mock-up) from a Truly Victorian pattern and while it is okay, I knew that there is another style I like much better. The one that has no front panel, not buttoned up front, but a big fold. 

However I could only find two patterns in this style, one that had a drawing one needs to be enlarged and though it is available for free, but still has only one size. 

The other is from a company named Reconstructing History. Which has a "Reputation". A reputation which is not good. Not good at all. In fact, whenever their name pops up in one of the groups of the historical sewing communities, the unified reaction that the only thing to do with them is to throw them onto the fire and slowly back away. So, I considered myself warned and yes, I did went into this with my eyes wide open.

For the above reason, I have avoided them for many years, even though there are things, periods only they have stuff for. The style of bicycle/split skirt I liked was one of those.  However, my friend, Anna bought a couple of their patterns, before she read up on them, and she said, they are not THAT bad. And I wanted *that* style of split skirt really bad. So, after much consideration, I have decided to give them a chance. 

I have been sewing for more than 40 years now. I am a learned dressmaker... I like to think I know what I am doing. What could happen? The pattern's lines don't line up? Well I can draw a line that straightens it. Some pieces missing? I can draw up a pocket or a collar if necessary. Sizing is off? I will need to make a mock up anyway, and fit things to the given body. A step or two is missing form the instructions? I hardly need to read the instructions anyway.

I bought the printable PDF pattern (for A4 sized papers). When I was taping the patternpieces together, there are no clear sign where to put them together. On the patterns I used before there were very clear sign, where to put the sheets together and how to tape them. With this, it was kind of a guesswork, just how much the sheets should cover each other. 

The split skirt's pattern had 4 major pieces, of which 2 and two should have been taped together again. (This is a split skirt, or as we say, a "pantskirt", a pant that has legs so wide, as a skirt's hem, so the pieces to cut out are huge). Out of the 4 pieces one had the markings on their underside, which made transfer the markings more difficult, but, here comes the point, when you have to know what you are doing to see and realize that you cannot fit the pieces together, because you have to turn one of them upside down.

Once I had the pattern pieces, I felt brave (and umm, I had little time before the event I planned to weat it) and insted of a mock up fabric, I've cut them out directly from my fashion fabric. After all, this is a piece that is fitted with pleats. I used that piece of linen, I originally bought for the bloomers. Thankfully I was kind of generous, when I ordered, otherwise the three meters I needed for the breeches wouldn't have been enough, but the 4 meters I had was. 

The pattern itself comes in two length (everyday and full), I drew the line between the two.

As for sewing and the instructions (and the markings...). The pleats fell to totally different places than the markings show, but I kind of expected that. There was one step missing from the instructions. There is absolutely no mention of what one should do with the front, when looking at the drawing it is rather clear that there is a seam that closes the front pleats for about 10-20 cm-s. I did sew it up, and then stitched it down. 

The fact that I had to cut off about five cm-s from the waist has noting to do with the pattern, but much more with my short waisted figure. 

I added an extra stitched down "flap" and buttonholes to the sides, so the skirt can be buttoned up. I used the same mother-of pearl buttons as at the bloomers and the white waistcoat, though I ended up using the split skirt with a polka dot blouse and the black striped waistcoat I originally made my historybounding outfit, that we still have not managed to fotograph in full. 

So, what do I think about the pattern?

As my friend, Anna said, no it was not as bad as its reputation. 

Would I suggest it to a beginner? No, I would not. Putting it together was not difficult, however it needs enough experience to see which part goes to where, to realize that a part is marked on its wrong side, to see something is missing from the instructions and make up for it. 

Would I suggest to an experienced sewist? Well, it is not for the faint of heart, I admit, but if said sewist does not get a panic attack if two pieces does not match perfectly but make up for the diference with an educated guess, if said sewist is willing to make a mock up where s/he figures out exact fitting, techniques, etc, in short, would only use the pattern as a starting point, then, yes, I would. 

Would I buy/make another of their patterns? Admittedly, the split skirt was a fairly simple piece, so there was relatively little space for errors, and there were errors, but then I could deal with them. To asnwer my question, yes, I will. I will get another one, probably something that is slightly more complicated, and go from there. 

All in all, I did enjoy making this split skirt, I managed to do it in a limited time, and I LOVED wearing it, and yes, I am planning to make other pieces from this pattern.

Pattern (Split Skirt): Reconstructing History 1024

Pattern (waistcoat): Black Snail

Shirt and hat: secondhand.

Linen: Bublákovo

Photo: Varga Norbert @ Bodeszphoto

Shoes, boots, or as you like...

 Being a historical reenactor, a costumer, the most difficult point of an outfit are... 

You guessed it, the footwear. Getting historically accurate, or even appropriate shoes are really difficult. 

Very few makers exist, the most well known are the American Duchess company, but ordering online, without trying them on are rather risky, especially with my feet... I have a short, but wide feet with very high instep and the arc of my heel is flatter than most, thus any shoe can cause painful blisters. Even trainers. So I am very choosie with my footwear.

There is one maker who makes historical shoes, but he also makes shoes for theaters, moves, circus, he is extremely busy, it is very difficult to get a pair from him. 

I even tried to learn how to make shoes, my maternal grandparents were shoemakers, and it is in my blood. However, I only found one workshop, where I made two pair of shoes (I have posted about one of them still need to write a post about the other one), but I am afraid, what I can learn there is limited.

I really, really whish, there would be a place to learn how to make shoes, not as a way to make money, but a way to make the shoes I can wear to reenactments. Unfortunately, I could not find such a place until now. 

On the other hand I did find a place that makes shoes, that, with a little modification, I can use for turn of the century. When there was a concert in the city I went to university, (about two and a half hour drive/trainride away from where I live), I thought, what if I mix up the pleasant thing with another pleasant to a useful thing? 

I have not called the place beforehand, however, I took the fact that even though it is open only for two hours a day, we arrived two minutes before opening, as a good sign. 

We talked a few minutes about what I wanted, he showed me the styles he already has and we discussed, how much they can be modified, and he took the measurements from my feet. 

After about a month, I got the phonecall, that my boots are ready, and if I want them shipped, or would I go to get them. So I took myself on the train, tied them on, and fell in love. 

The boots were just as I imagined/wanted them. Go perfectly well with my white linen sporting clothes. 

I already placed an order for another historical shoe, and I cannot wait to see, how that will turn out. 

Thank you Baktócipő and József Zombori .

Photos: Varga Norbert @ Bodeszphoto