Monday, June 29, 2026

Weekly patternmuster (sewing)

 I've already seen this pattern, and tried to remember it, because, after making those training pants, I also needed some tops, and these seemed interesting enough. I had the page open for ages (now, wonder, why do I have literally hundreds of tabs open at any given time on my computer), only to loose it with one careless restart. 

Of course, now, months later, looking for something totally different, I bumped into it again, but this time, I am not saving it, but putting it into this column, so I would find later again.

The Mile End Sweatshirt pattern, by Closetcore patterns.

Saturday, June 27, 2026

The accessories of the widowed Mrs Ráth

 Now, our widow already had the proper underwear (like chemise, drawers, corset, corsetcover and petticoats) before the start of this project (in other words, I used the pieces I already had), but she still needed some smaller stuff to make the ensemble whole. 

There was a belt, which I made from Ora Lin's free pattern. (BTW, she also has a video on YouTube about how to make it, though, instead of handstitching, I made the belt mostly with a sewing machine.) A few years ago, I also made her waspie corset, but with my short waist, I always felt my body way too disproportionate in it, and I thought a belt that is only dips downward ould suit me better (which it did).

An antique french silk umbrella, I bought for my birthday on Vinted.

A hat, for which the base, an original Girardi hat came from Vinted, I steamed it over, to make it just a little but flatter, and decorated it with feathers and silk-flowers. 

I also bought the lace glove from Vinted. 

Finally, there was that little bolero/cape she wore. I made that from a pattern I bought from Etsy.

I bought the embossed black printed gray fabric from Vinted. I fell in love with the fabric, and I was wondering what to make of it, and this cape looked really cool... but I only used a small bit of the fabric.

The dark gray, almost black pure wool came from I Love Textil. This was one of those lucky days, when I was wondering in, asking the guy there, if he has something that would complement the printed fabric, and he pulled the perfect roll of the shelf. 


So, this is the whole ensemble. 

Oh, I need to tell you about the earrings. I knew I should have bought some simple black pearl earrings, but I was ill, I was busy, I was... whatever, I forgot. When I was dressing up for the event, I was pottering around my boxes, looking for something suitable. I could not very well wore the spider earrings I usually wear with my late Victorian/Edwardian stuff (which was al the rage of the fashion at that time) as a sad widow, now could I? So, as I was pottering around my stuff, when I found these very dark gray, almostblack pieces. When I saw it, I remembered, I got it from one of my teammates, but I could not (and still do not) remember from whom. I kept it for years, but now the earrings found their purpouse.


Friday, June 26, 2026

The shirtwaist of the vidowed Mrs Ráth (Nina blouse)

I've already told you about the caracter, whose wardrobe I had to build, and I also showed her skirt. 

The next item on the list was a shirtwaist. 

Ever since Leimomi of Scroop patterns came out with the Nina Blouse pattern, I knew I wanted to make it. Also, ever since I saw Eva Green in Penny Dreadful, in head-to-to late Victorian/Edwardian black finery, it fascinated me, even though I was not about dress myself in black.

But then, it all changed, I decided to make a set of clothes to Mrs Ráth, and from the first moment I was sure that the blouse of the set will be made from the Nina Blouse pattern. I already worked with Scroop patterns (made about 4 English gowns from her Aidah pattern for starters), and I knew I could count on the pattern. 

This time I did not left the fabric to chance (getting the right fabric from I Love Textil -as much as I love that chain- does require a huge amount of good luck - or a gigantic stash, and storage space, not to mention money), so I ordered the shirt weight linen from Bubulákovo, went over to the haberdashery wholesaler, and got more of the cotton lace - this time I did find a very special one, that was much finer than the others. 

I started with the yoke of the front, and added the lace inserts in a V shape. 



It was not in the pattern, but I added lae inserts to the sleeves. made the cuffs a bit wider, but -to not as an insert, I simply sewn on a few lines of the lace. 

Since I always planned to use the shirtwaist tucked into the skirt, I did not make the peplum, or even the gathering at the waistline. 

Fabric: Bublákovo

Ps: Tomorrow I will show you the whole ensemble, with all the accessories.



Thursday, June 25, 2026

Weekend program: Historic dance workshop on Saturday

This is more for the locals, but we will have a historic dance workshop on Saturday.

The weather promises to be incredibly hot, but the place is airconditioned.

Come, lets dance historic English Country dances, you know, the types 

that you see in Jane Austen films :-)

HERE is the FB event, If you are in Budapest, but only speak English, don't worry, a lot of us speaks English, we will help you out.

Come and dance with us.



Wednesday, June 24, 2026

Weekly SO

I absolutely hate the fact that it is so diffcult to find silver artificial hairpieces. 

Because of reenactment, I often need to put some historical hairstyle on my head. Now I do not have much hair (anymore), and I need to use extra pieces. Though that is absolutely historically accurate, historical women often supplemented their on hair.

However, on all the places (Temu, AliExpres, Ebay, Etsy and whatnot), from where we can readily buy them, anytime I find a piece that would be okay, almost always is not available in gray/silver color. 

Now, those women, who have silver hair are often not the youngest one, they are often over thyroid issues, menopausa, and a lot of other things that make their hair thin, but they are still women, quite often they like to look good just as much, thus they need extra hairpieces just as much - if not even more, than their younger counterparts.

Just sayin'.

Tuesday, June 23, 2026

Dancepants

 Loosing weight, even if it is intentional and you are working hard for it,  is not only sunshine and happyness... Like, as happy I am about being able to wear smaller clothes, and dress according to what I like (instead of what I am fitting into), things also have shadowy sides. 

Like having to remake most of my historical clothes--- though I do not mind that so much, because now I can make stuff better, more thought trough than back, when I did not had the knowledge and/or the time for that.

On the other hand, having everything hanging on me, not only the clothes, but my thighs, my arms, my skin is much worst and I decided to do something about that. I started going to a dance-cardio class, but I needed clothes for that too. Yes, sports bras, and thank tops are fine, I was not about start sewing those, but I also needed pants/trousers. 

I wanted wide legged, bubble/barrel shaped pants. So I decided to sew them. 

I looked through some patterns on Etsy, I decided on one, made a useable mock up from a really old piece of leftover futter (I bought that fabric when my nephew was born 34 years ago, I made the some onesies to the newborn boy, who is an adult since), and then thought hard about what I want to change.

To emphasize the barrel shape, I took off some of the width at the waist, and added a couple of cm-s to the leg, also took off a few cm at the bottom. Furthermore, I changed the shape of the front pocket. 

The first one I made from some white cotton futter (compared to the other one, this piece of fabric was relatively new, only a few years old). 

Unfortunately, my double needle industrial machine is not working, and the household one, that can be fitted with a twin needle could not take the 3-4layer of futter fabric, so I used a single needle for the double overstitch. It did not needed to be strechy, so it was fine. 

Then I as I was digging though my knit-fabric (futter) stash, I came across one, that once again was very old. It was bought in I Love Textil, though I cannot remember exactly when. Definetly, before Chris was small kid, but might be even earlier. I loved that fabric, no wonder I hung on to it for so many years. Even though it was for trainers, or hoodies, or something the like, it was not as elastic, and it had a gorgeous faded denim blue color. I remember, I did sew a pair of training trousers back then from it.


I thought it is high time I use it now. 

I did apply the same changes I used on the white one, and als used the single needle for the decorative stitching. This time I added the back pockets too.

Since I can categorize both pants as a succes, I will make other ones, probably trying other patterns as well. 

Pattern: Kaashi Patterns

Fabric: I Love Textil

Phhotos: Bodeszphoto



Monday, June 22, 2026

Weekly patternmuster

 Its pride month, and I am showing you a "pride" sweater.



Now, I have two thoughts, what maybe should go into my weekly opinion post, but what the heck. 

So, while I wholeheartedly support the LMBTQ community, and their members, I really dislike the fact that rainbow colors are nowadays only assosiated with being gay.

Rainbow colors are not only a beautiful sequence of colors, but also have many meaning, including hope, tranformation and harmony, and we all can wish for all that and many more, without being part of the community. 

I always loved rainbow colors, dyed many wool and yarn to that color, knitted a few pieces with those color myself, and have plans for more. 


Friday, June 19, 2026

The skirt of the widowed Mrs. Ráth

Mrs Ráth (born Gizella Melcsicky) was the wife of György Ráth, the first director of the Museum of Applied Arts in Hungary. She lived at the turn of the 19th/20 century. 

As a reenactor I already played her caracter, when we did out "Spirits in the house" game in the willa, that is a museum today and houses part of her husband's collecton. Then I portrayed her in a bustle dress, citing that it was the fashion of her youth, and she "haunts" the in that because that was her favorite style.

This year we planned to reenact and actual event that happened, when, not long after her husband died, the emperor of the austrian empire and king of Hungary, Franz Joseph Habsburg visited the villa in 1906.

My first reaction was that I don't have, and not planning to make black mourning clothes, we have to figure out how to make work the late Victorian/Edwardian clothes I already have.

However, I already had a bee in my bonnet (or as we say in Hungarian, a bug in my ears). I stated a few times here too, that I do not like black clothes, and I am not wearing them, if I can avoid it. But then the black francaise gown I made a few years ago was a huge success, and I also grew to love the black witch clothes I wore in out little play last Xmas. Besides I felt it is a challenge, and when do I say no to a challenge? 

My first attempt was making the black and white striped set (here/shirt, here/skirt and here/jacket), but that ended up way too steampunk-ish... 

And, of course, the wheels in my head kelt turning at an alarming pace. The case was not helped by the fact that in the fabric store (I Love Textil, what else), I bumped into a roll of gorgeous, somewhat shiny black linen/viscose fabric.

I walked over to the haberdashery wholesaler -kind of- close to us, and got a few rolls of cotton lace, and set out trying the machine sewn lace insertion technique I found on youtube. I wanted a bit more than just vertical inserts at the seamlines, so I added 3 lines in V shape at the front of the skirt.

This time I used my "bigger" late victorian/edwardian skirt pattern, designed by Angela Clayton. I used it before (here, and here), and while I love it, especially, the big, almost semi-circle back, the problems I had with it the first time, still exist... Namely it is waay too long, and it has a train, and no sign where to cut off, if I want to use it without a train. It caused me a problem, as in trying to find the correct length, I incidentally cut it a bit too short, and had to add a piece to the back (but then, piecing is period).

I was considering adding pockets to the skirt, but because of the lace inserts, it would have been more complicated than I was about to do. But, though you cannot see it on the pictures, I added a small watch pocket, just below the waist, and I also inserted a small loop under the waistband. Since I do not have a chatelaine, I use that little loop to clip my watch too, while I put a kerchief and/or my regular digital wrist-watch in the small pocket. 


Stay tuned: next, I am going to show you the shirtwaist.

Pattern: McCalls 8231

Thursday, June 18, 2026

A bee in my bonnet

I just had an idea for -yet another- more or less regular post.

I often say to people, that no, they really would NOT like to know what goes on in my head. 

There are just rapid fire of thoughts, and plans, and combinations of plans, and distractions. 

(Yes, most probably I have a bad case of adult, and female adhd - not diagnosed though, because its either a few hundred thousand HUF, or about 3-5 years worth of waiting list).

Anyhow, sometimes, these thoughts are strong, so strong that they do occupy my mind, especially at times, when I... walk, sew, knit, have a bath, cook, clean, whatnot. And I am speding time to research these ideas, because they just would not let me alone. 

So,I thought, once in a while, I am telling you one or another of these persistent ideas. 

Like that about the sweater my mom knitted and got lost in Miami.

Or it can be just a thought process, like how seeing a toe of a red shoe peeking out of along black skirt made me built an entire outfit, complete with a handknit sweater

It can explain some of the things I do, might even make some order  no, not make order, but show a tiny walkway in a thick forest.

What do you think? Could that be interesting? 

Wednesday, June 17, 2026

Weekly SO

 One: yes, your telephone, internet, facebook, and such watches (and listens to) what you do. For weeks, my ads were full of gall-stone remedies, now they are full of hair-restoring things, things you put on your head - instead of minoxidil or rosemary oil, and such. 

Two: Now, one thing is that I had really good experience with rosemary oil, but aside from that, even if I believe that in two weeks to one month your hair will get stronger, thicker, and whatnot... what I cannot believe that instead of having baby-hairs that grow (which in itself would be a miracle), the hair would grow a year worth in a month (as their pictures would suggest)... 

Tuesday, June 16, 2026

Program-suggestion for the Nights of the Museums

The Nights of the Museums is a contry-wide series of events, when all the museums of the country opens its gates into the night, and organize special programs.

for Mere Temporis there are two dates in the year, when, if someone would like to have us at their event should reserve us in at least one (but better two) year(s) in advance. 

One is March 15th and the other is the Nights of teh Museums.

The Nights of The Museums is a day, when our Foundation reproduces by division, and we are everywhere. 

This year you can find our people in Aquincum, the Ráth Villa, The Hungarian Academy of Sciences.

As for me, we can meet in the Róth Miksa House, where in our program about the Budapest Chicago will be a color in their program-palette. 
We will tell tales about the Veterinary University..
The shcools of the area...
The lives in the area...
and all the gossips.
The link of the event is here.
Come, listen/warch / meet with us.

Monday, June 15, 2026

Weekly patternmuster (sewing)

 As I said, I really like the fun shaped trousers that are fashionable these days. Be it horseshoe, barrel shaped or extremely wide legged. 

This time I am bringing you a cross between a jeans, a cargo pants and a barrel shaped trainer. 


The Lemon trousers.

The site (and so I suppose the pattern as well) is in french, but I think one can figure out the sewing with some experience.


I will definetly put this on my "to sew" list. 


Friday, June 12, 2026

Reenactment musings: Corsets - what they are for?

I promised this blogpost more than a year ago, when many tagged me at a post, where in a well-known Internet magazine, someone put up an article about how she wore a corset for a certain time period, and what an awful experience it was.

I did write down my thoughts at that time, but I just cannot find that file on my computer, so I kept putting off writing about corsets.

But then, a couple of weeks ago, I was at an lecture about how people shaped their bodies through history, and of course, stays and corsets came up again, and once again, I was screaming inside when I heard, how oppressive they were, how women suffered, their bodies were distorted, tight-laced, and on and on.  

Those, who ever met with me at an event know, that this is a topic I can get passionate about (another is when I hear that people in old ages – practically any time before the late 20th century were dirty and smelly, however, that is a topic for another post).

I for one, regularly wear stays or corsets, and as one, I have pretty strong opinion about them… and no, they are NOT the paternal society’s tool to oppress women.  In my experience, a well-made, made to the body’s measurements stays/corsets can be (or often are) better than a pair of bad (or even a pair of average) bra.

When I ask people “what is a corset’s main task?”, “why women wore corsets?”, the first answer is always: “to make them look thinner”.  Well, a corset has several task/role, and making women (look) thinner is the last one, more like a happy side effect than a main task.

So what are those “tasks”?

1). Shaping. Yes, that seems like the opposite of what I said above, but… Every period has its fashionable shape (think of the modern age's Twiggy, Cindy Crawford or J.Lo). Like

a) the 18th century, rococo is an upturned pyramid shape, no real curves, the breast is pushed up.

b) the Napoleonic/regency era is a column with the emphasis on the column head, I mean the breast, that were pushed up as far as possible. Those dresses had high waistline, nobody ever saw the actual waist of women. So, when you see Mama Fetherington pulling the laces tight and the girl crying out “I cannot breath”, that is stupid. Partly, because the way those stays were made would not allow tight-lacing (they would tear), partly, because it would have been utterly unnecessary.


c) the Victorian era brought the hourglass shaped corsets most people are familiar with.


Every body, even the thinnest ones have - if not fat, but muscle to be pushed away a bit here and there, to give the wearer that fashionable shape. It does not have to “size down”, for a while, when I teared my corset last year while skating, I wore one that was a size bigger than me, still, it did all the shaping I needed.

2) Foundation. Giving a “massive”, stable foundation to clothes. For example, my early Victorian gown was made of a very light printed cotton from India, much like a viscose fabric, and still, when I had it on, it looked like it had lining, horsehair and/or boning in it… because I had corset underneath.

3) Holding one’s breasts. We like to forget that the first bras were made in the 1910’s, though women did have breasts for thousands of years. Corsets can hold them just as well, if not better than bra’s.


4) Managing/distributing the weight of the dress. Even though less than many people would think (we are NOt talking about tens of kilograms), these dresses, or let’s say outfits have a considerable weight, especially compared to our modern clothes. In one march 15th event we calculated, and my early Victorian dress, with the appropriate underwear, and petticoats have 22 meters of fabric, and that is the minimum: a corded petticoat a ruffled one and a plain one. Now, the really fashionable ones, who wanted even wider skirts, wore even more petticoats, in some cases 5 or 6 of them, which weighed even more. Later, with the cage crinoline, it was a freeing experience to these women, that they could get away only with two petticoats, but still the crinoline also have some weight. So, when one wears them over stays/corsets, takes over the load, helps distribute the weight. If I wear these dresses without corsets/stays, by the end of the day, there is crying, and I am begging Norbert for a back-massage. With corset/stays: no problem.


So, if after all this, it can make someone a bit thinner… that is a happy side-effect.

Of course, everything can be overdone. Today, we have tiny, short skirts, or extreme high heels, so there were people, who overdid thightlacing, but that was NOT generally done.

Women are not stupid. They would not wear something for HUNDREDS of years, if it wasn’t good for them on some level.

And no, women did had ribs taken out (did you ever read about Victorian hospitals? They avoided them, like they avoided the plague), and no, it did not distorted inner organs either. Oh, that everybody saw the drawings printed in period magazines? They are DRAWINGS. (Not Xrays,, CT or US pictures, but DRAWINGS).

És nem, nem vetették ki a bordájukat (olvastatok már a viktoriánus kórházakról? Olyan messzire kerülték el őket, amennyire csak lehet), és nem nem torzította el a belső szerveket sem. Ja, hogy mindenki látta a korabeli magazinokban megjelenő rajzokat? RAJZOKAT láttunk. (Nem röntgen, CT, UH felvételeket. RAJZOKAT.)

What is the secret if we are talking about comfort and corsets/stays?

As I said above: well made, and made to the person’s measurements should not be uncomfortable.

I can bend, sit, walk, lift things, dance in corsets/stays. I CAN tie my shoelaces. Yes, there is the saying “Boots before corsets” but not because it is impossible to tie them… But, surely they are easier to take on when you do not have corsets on.

After a day-long event, when we take off our corsets/stays, and we breathe a sigh of relief, we often joke, that nobody, I just talked to about how corsets are not uncomfortable should hear us… But then, we should remember that we are NOT used to wear them all day, every day, and we do not wear them enough to really get used to them. Historical women started to wear some kind of stays in their young age (“training corsets” were just as different from grown up corsets than training bras are from push-up bras).

And also, there is a misconception, that we stopped wearing corsets… Oh, we do wear them. We just call them differently. We call them shapewear these days.

Thursday, June 11, 2026

Again (17th century kirtle)

 I've already written about my adventures in sewing a 17th century kirtle (HERE), where I finally made a new one to replace the very first one I made back in 2017.

It had issues as it was (the post linked above details those), and I also lost weight, it did not fit me anymore at all. However, I liked the blue and orange combo, and I also wanted to make a wearable "mock up" for a project I am planning for later this year. 

I had the petticoat (orange), and I had the leftover decoartions. So I thought, I might get away having to do it as a stashbusting project... Dug through my stash, and though I do have lots of linen, I only found some leftover pieces I made the original one, but I would not use it, because it was running color, like nobody's business. Everytime I wore it, not only my underwear, but even my hands were blue at the end of the day. 

What kind of stash is the one that does not have about 4,5 meters of dark blue linen? Mine seemed like one, because the piece I found was like 3,8 meter - not enough. 

I already started to dig through the online resorurces I had (Natalie, Bubulákovo, Allegro, and all the rest), but I simply did not have the money to buy one.

Further digging ensued, that meant I had to dismantle the barricade I had at the front of my fabric cabinet (don't even ask about it... it is a constant point of disagreement in the house), which was my last hope... And that cabinet delievered, offering me not one but two piece of dark blue linen, in the size I needed, YAYYY. 

I started with cutting the skirt, and I already knew from the previous version, that if I add a slight A line, it will look so much better. This time, I went further ahead, I turned the piece I cut, and added it as a godet.

For the bodice, I knew that the lining and adding some kind of boning is working really nicely, however, there was two things I wanted to change (aside from correcting the fit issues). I added an extra layer of stiff fabric between the boning and the fashion fabric, because in the previous version I could see the lines



Also, next to the lacing instead of the plastic, I used metal boning. Furthermore, instead of the lacing rings, I used handsewn eyelets:

 and placed them in a way, so I can spiral-lace, the historically accurate way.
All the trimming I used on the bodice is sewn by hand. I kind of felt sorry, I did not had enough for the three rows of silk and three rows of velvet decoration on the bottom, only two and two, but this way this dress was completely out of my stash.








I made two side-by side comparisons, and hopefully not only the 15 kg minus that can be seen, but that somewhat small changes can me so much in fit.


Blue linen fabric: I Love Textil

Pictures: Bodeszphoto