Spinning

This is how I spun with my dropspindle last fall, in Grolle, in full 17th century glory.

If you come to Csillaghegy today, I will show and teach you how to do it :-)

You don't need historical clothes though, only a pair of hands, I will even bring spindles. 
 

What the Friday?

 In which I am showing you odd stuff I found for sale on the Internet.

This time, I am bringing you a gorgeous, early victorian silk dress. 

Pictures from the E-bay page.

As a historical reenactor, and a seamstress who sews historical dresses, I love to look at these listings, because, often in ads like these, they take more photos from details, like some museum sites do.

Just look at these pictures:

Studying these details we can understand so many things from the way they used to make their clothes in a given period. 

Fresh colors

 Today's post comes later than usual, because I promised you some freshly dyed yarn and fiber, but they were way to wet yesterday to take photos. 

Some of them moist, but they still have a day to dry. 

The Day of Wool is on Saturday, and I still have a bunch of things to do, so without further ado...

Take out your sunglasses, and here we come.

This is just a teaser, many things are still on the line, drying.... so, you better come on Saturday, and look at them yourself.

Weekly SO

 A fashion opinion...

I do not like animal prints. 

I know some people adore them, I also know, that they do come back regurarly even in historical fashion, but I still do not like them, especially leopard prints. 

So I said it.

Now, things with full animals printed on them, like pijama pants with eastern bunnies, or a tank top with a dragonfly, etc are fine, but keep well away stuff like zebra, leopard etc prints. 

Bubble pants again

I was about to post some freshly dyed fiber and yarn today, but they are still drying, so you will have to wait for that unttil Thursday. Until then, let me show you, my new bubble pants. 

I have already sewn bubble pants twice, no three times, the first try in purple and then the final version in turqoise, and a black denim version. All of them I dearly love, so I thought, why not make more? 

I found some microcord in the fabricstore, in dark, navyblue color, which would go really well to a sweater I was planning. However, for a couple of months I was struggling with a sewing block, I just did not feel, like sewing. AT ALL. 

I seems, I might, just might managed to get through it with the the blue cape/cloak, so I thought, why not try something a bit more complicated, but still rather familiar. In the meantime, I was just finishing up said sweater, thus it looked like just the right thing to do. 

Since I was concentrating getting through those little inner blocks, I was not shooting pictures, so I can only show you the result. 

The same bubble shape, the same buttoned fly.

And here you can see, what I mean, that I have a really short waist, as I cut the front even lower than the last time, so much I only had space for three buttons, and the waistband still covers my belly button, 

Since the turqoise pair I made rubbed out between the legs rather fast, I added a patch of cotton velveteen to both leg just below the crotch (you can't see that in these pictures, because I would have stand in a rather vulgar position to show you), but to make it intentional, I made the edge of the front pockets and the cargo pockets from the same fabric, 

Back, when I made the pair from black jeans, I cut the elastic in the waist too short, and with this, I am afraid, I was overcompensating... however, it seems, that the rather thight waistline is the secret that it holds my stuff (phones, keys, etc) stabil, because in this one, when I put my phone into the pocket, it drags the pants down. I will have to take off the belt loops, and open up the waitsband, and pull that elastic somewhat thighter.

But it has POCKETS, and deep pockets (I can hardly reach the bottom of it). 

I still do not think, this was the last pair I sew with this style, there will be more to come. 

Fabric: I Love Textil

Photos: Norbert Varga @Bodeszphoto

Weekly pattern

 This time something I like :-)

Which is the Stowaway sweater fom Wool and Pine:

Photo is from Ravelry: © Wool & Pine

Wool and Pine is known for their Seaglass series, but as I was scrolling through their pattern library, this one caight my eye. Mainly because I was thinking of using fair isle pattern on the sleeves only, but the designer took the thought a step further and put patterning on the front pockets too, thus elevating the simple design. 

Short Comment

 Do you know, what this picture means? 

Yes, The Day Of The Wool is coming. It will be on next Saturday, and this also means, I will spend the next couple of days, with my hands elbow-deep in dyes.

The Fabecook event is HERE.

Go, find your sunglasses, and stay tuned for lots of colorful fiber and yarn.

What the Friday?

 In which I am looking at amazing stuff I find for sale on the Internet. 

Like this 19th century skate in perfect condition.

Picture is from the ebay post.

It should be in a museum, I think.

Outlander Rent Shawl

 This is also something I wanted to knit for ages, I bought the yarn years ago, even before I made my Outlander outfit.

I even decided to start it and gone as far as taking out the yarn and print the pattern several times, but honestly, the pattern just confused me. 

Yes, I can see from the stills of the TV show the way the ridges of the garter stitch go, but I thought it is unnecessarily complicated way of knitting a shawl.

This year, we were having an event in Sirok, where the last two times we have been there for the March 15th celebrations, the weather was COLD, I thought, high time a pattern just cannot get the better of me.

I sat down and started. 

First juggling two colors, then three.

And then five balls up in the air.

So, this shawl is not knitted from top down, and adding the decorating two stripe, when one runs out of the base yarn, but knit from the bottom point and adds the stripes as intarsia, and knits the middle part first, then adding the two outward going edges later, one side at the time. 

I have knitted the shawl bigger than the pattern instructions (as if you remember, for me a shawl is the bigger the better).

I am glad I managed all of it, the tons of garter stitch (I am not fan of it), the juggling the colors, the intarsia, but still, I think, with the basic top down version, the achieved effect is the same, with a lot less fuss, with the added benefit, of being able to knit, at least the middle part, until we have yarn, and not having to take a chance of either ending up with a ton of leftovers or running out of the yarn before we finish. 

I still say that this way is unnecessarily complicated and I don't think that if this would have been knitted in the period, they wouldn't use the simplest way.

Of course I know that the knitwear in the show, Outlander is not necessarily historically accurate, at least not for the middle of teh 18th cetury. 

However, in the 19th century, from the early Victorian times, knitted shawls were around, that is -partly- I decided to wear it with my early victorian outfit.

The yarn I used is DROPS Soft Tweed, of which I just wrote an ode a week or so ago, so I will try not to repeat myself. 

But I do have to reiterate, that I ADOREthis yarn. It is so soft for being a rustic, tweedy yarn. Also, it is warm. 

And I would just LOVE if the colors it used to have would be available again... along with even more color choice. 

Photos: Norbert Varga @bodeszphoto

Yarn: DROPS Soft Tweed, I bought from Nordfonal

Weekly SO

 Last week I managed to mix up the English and the Hungarian translations of the same post and nobody told me, I only realized like two days later, when I -of course- promptly switched them, but it does make me wonder, if anybody reads these... 

Yet here I am with another of these. 

I hate all those videos/reels that keeps telling me what and how to dress, wear my hair, etc, so it would not age me. 

For god sake, I am past fifty, I have silver hair. NOTHING I wear would make me younger. I would be still past fifty, still silver haired and somewhat overweight, even if I only tuck half of a shirt in the waist of my pants.

Why can't I enjoy my life, without being reminded ever darn second, that I should scramble to LOOK younger? 

That reminds me of the Facebook meme:

Picture is from the Internet.

April fools

My face as I am trying to figure out something funny for you on april fool's day. 

Because I really thought hard about it...

Like announcing I will stop blogging. Or knitting. Or sewing. 

But I thought, I should just let it go...

Weekly pattern

Before we get into the pattern "review", I have a question about this series. I've started this series with knitting patterns, but what about sewing patterns? There are so many around, online, often from indie designers, would you like me pick a some here and there and show them to you? Since I have not made them yet, these are NOT full reviews, nor do I think, that just because I don't like something they are not good in themselves. With that...

This week's pattern also comes from Ravelry's hot right now list. 

It is the Nordic Bloom West by Caitlin Hunter.

picture is from Ravelry: © Riikka Kantinkoski / Laine Publishing

I just realized, that I already picked on another of her designs, but let me just say...

There are people who adore Caitlin Hunter's designs, and there are those who cannot stand her, and I am somewhere in between, because she does have patterns I would love to knit, and there are some that are an absolute no-no for me. The Halibut sweater was one of those and the Nordic Bloom west is another one that I would not knit. 

For one I feel that this design is just yet another skin of the well deservedly popular alpine bloom series.

The drawing is similar (maybe even the very same diagram), placed on a different base sweater, a waistcoat this time. 

Also, the base piece, the waistcoat does not have anything redeeming, as it is rather shapeless, a stocky square and I am stocky enough myself, without a waistcoat emphasizing the fact, thank you very much, it is short, it has drop shoulder, any of those elements would make me want to avoid this piece, but all together is a definite no. 

It might work for someone... who is at least three decade younger than me, or 30 kilograms lighter, or 15 centimeter taller, or all of the above. 

Look, I did sew something!

 The good thing about being multicraftual, is that when you get stuck with one, you can still occupy your hands with something else. 

At the beginning of this year, I felt stuck with many things in my life, and sewing was one of them. 

I still got fabrics, and I still had plans, I even bought some patterns, but i just could not get myself to sit down and atually sew. 

(That is why I knitted more than in the last few years, because with knitting - I felt- at least I felt more or less confident I cannot mess it up, if it is ugly, it can always be frogged).

So I thought, I might start back again with something simple. 

A cape. 

Capes are wonderful. Capes are timeless. They make you feel almost instantly transported in time, they make you feel magical. I wish, we could wear capes every day. 

Yes, I already have one, an end-of-the-18th century, red cape (though I did wear it with earlier period clothes), but I always wanted something less bright. Whenever I wore my blue medieval dress, or my green renaissance dress, I felt, I need to borrow Norbert's green dress, so the bright red would not clash.

I had this petrol-ish blue wool fabric for years, I did bought it to make a cape, so I thought, it is high time I actually make it. 

Sewing it is actually not difficult, my fabric was 150 cm wide, I folded it, so I could cut a half circle out of it.

And then cut a (much) smaller half circle for the neck.

Have not photographed, but made two darts for the shoulder, cut the hood from the leftover, made a kind of collar, and added it.

I decorated the edges with a jacquard/brocade ribbon, and the bottom hem was finished with a bias tape.

Now, I love to finish arched hems with bias tapes, and I usually cut more than I use, but I always keep the leftovers.

One of these leftovers were used when I made the musical instrument-holder, and now I planned to use some black one I cut, when I made Norbert's cape...

Only I could not find it, among the others...

However, I found a piece of blue polca dot fabric (I used it to line the blue polka dot bustle dress), which I cut up, and finished the cape. 

Both the brocade ribbon and the bias tape was sewn on my hand, because machine sewing would have... I don't know the right expression, but machine sewing would make a continious line that is pressed into the ribbon and the fabric, while handstitches practically hide. 

I intentionally made this cape with its pointy hood more fairy-tale like, as I am planning to use it with medeival and renaissance clothes too.

Let me tell, you, I just LOVE it. It is so simple, and so magical. 

I feel I should start a movement, "lets make capes everyday outerwear again!"

Fabric: I Love Textile

Photos: Norbert Varga @Bodeszphoto